The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk,
the first exhibition devoted to the celebrated French couturier who
launched his first prêt‐à ‐porter collection in 1976 and founded his own
couture house in 1997, made its European premiere at Madrid’s Fundacion
Mapfre in October 2013.
Already
seen in cities including London, New York and Madrid, the exhibition
organised by the Montreal Museum of Fine Arts has smashed attendance
records at all its venues, making it the most popular fashion exhibition
every staged.
In Australia the exhibition includes a section on Gaultier's muses from Down Under, including Kylie Minogue, Cate Blanchett and Nicole Kidman, who was his first couture client, as well as models Catherine McNeil, Alexandra Agoston, Gemma Ward and Andreja Pejic.
The
National Gallery of Victoria is the only venue in the Asia Pacific
region to host the first international exhibition dedicated to the
groundbreaking French couturier.
Playful,
poetic, and transformative, Gaultier’s superbly crafted and detailed
garments are inspired by the beauty and diversity of global cultures
Dubbed fashion’s enfant terrible by the press from the time of his first runway shows in the 1970s, Jean Paul Gaultier is
indisputably one of the most important fashion designers of recent
decades. From early on, his avant‐garde fashions reflected an
understanding of a multicultural society’s issues and preoccupations,
shaking up – with invariable good humour – established societal and
aesthetic codes.
The
exhibition – which the couturier considers to be not only a
retrospective but a creation in its own right – will feature
approximately 120 ensembles, mainly from the designer’s couture
collections, but also from his prêt‐à ‐porter line, along with their
accessories.
Created between 1976 and 2010, most of the pieces
seen here have never been exhibited. Sketches, stage costumes, excerpts
from films, runway shows, concerts, videos, dance performances and even
television programmes will illustrate the artistic collaborations that
have characterized Gaultier’s world: in film (Pedro Almodóvar, Peter Greenaway, Luc Besson, Marc Caro and Jean‐Pierre Jeunet) and contemporary dance (Angelin Preljocaj, Régine Chopinot and Maurice Béjart), not to mention the world of popular music, in France (Yvette Horner and Mylène Farmer) and on the international scene (Madonna and Kylie Minogue).
Fashion
photography will also be a major focus of attention, thanks to loans
of, in many cases, never‐before‐seen prints from renowned photographers
and contemporary artists including Andy Warhol, Cindy Sherman, Erwin
Wurm, David LaChapelle, Richard Avedon, Mario Testino, Steven Meisel,
Steven Klein, Mert Alas and Marcus Piggott, Pierre et Gilles, Inez van
Lamsweerde and Vinoodh Matadin, Paolo Roversi and Robert Doisneau.
Keenly
interested in all the world’s cultures and countercultures, Gaultier
has picked up on the current trends and proclaimed the right to be
different, and in the process conceived a new kind of fashion in both
the way it is made and worn. Through twists, transformations,
transgressions and reinterpretations, he not only erases the boundaries
between cultures but also the sexes, creating a new androgyny or playing
with subverting hypersexualized fashion codes.
Celebrating the
daring inventiveness of his cutting‐edge designs, as well as exploring
the audaciously eclectic sources of his ideas, the exhibition will be
organized along six different thematic sections tracing the influences,
from the streets of Paris to the world of science fiction, that have
marked the couturier’s creative development: The Odyssey of Jean Paul Gaultier; The Boudoir; Skin Deep; Eurostar; Urban Jungle; and Metropolis.
Conceived by Projectiles,
a Paris‐based architecture firm, the sophisticated exhibition design
will showcase the couturier’s designs, as well as prints and video clips
that illustrate Gaultier’s many fruitful artistic collaborations.
Thirty mannequins with animated faces provided by ingenious audiovisual
projections will be placed throughout the galleries, surprising visitors
with their lifelike presence.